Strassburger’s latest series of works entitled Kenny, can be seen as the continuation of two earlier series Pool and Jane. In all three, he draws references from pop-cultural semantics, where the deliberate adoption of an English word, over the native tongue, loads it with associative meaning.
Strassburger’s seemingly spontaneous aesthetic belies a meticulous and pre-planned practice where themes and motifs unfurl across series and over time.



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