The title might suggest a " Best of Modern" exhibition. But of course, the idea is deceptive, since the artist deals with the possibilities of the painted picture in the face of the ubiquitous flood of images. He does this by exploring art-historical precedents such as Jasper Johns' iconic Flags and Targets as well as other image strategies used by mainstream products and media. It may be the music that is playing on his newly compiled Spotify playlist or personal experiences that have to be processed through painting.

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